Chapter 4
What? It’s not a visceral surprise, the way the scream was, or the mysterious sounds from the woods were. It’s a more cerebral shock, which takes a moment for your mind to realize.
The instinct is to clench tighter with your raptorials, in a grip that would certainly crush the avian. But you easily wrestle down the urge, and release the bird.
It’s just — you have no idea what’s going on. You err with caution.
The bird flutters down to the ground, and doesn’t flee. You flare wide your raptorials, revealing the menacing eyespots at their center. In full threat display, you stare down the bird.
You wonder what some magnanimous story-scroll hero would do. Pointing your antennae at the bird, you say, “Taste mercy, knave! I have spared you for now, pledge to serve me and it shall continue!” You’re glad no one is around to hear this.
Except the bird. But can it even understand you? It’s just a bird, surely.
In response, you swear the insolent thing shakes its head! The temptation exists to swipe deftly with your raptorial and take off it’s head — but you always had excellent composure. Think. You almost recognize the species of bird — some manner of crow? You once read a story with a crow trained to repeat vapid phrases. If this is such a crow, then someone trained it. And if you’re to turn the situation to your advantage, as a clever, cunning heroine would, you ought to spare the crow even after this insolence. Whoever owns the crow will appreciate it, and you’ll thus have their good will.
While you muse, the bird has turned away from you, and hopped further down the path. It croaks “Help!” again and it lifts a wing and — is it pointing?
The bird slowly ambles up the path. If you were to make a wild, dramatic guess, the bird wants you to follow, as ridiculous as that sounds. You have no choice but to follow, honestly. You’re here to see who screamed and why, and that entails following the path anyway. You could bushwack your way through the wild of the woods… but there’s courting danger, and then there’s begging for it.
Already the woods are more dynamic than the plains. Back toward the village, hills are slow, polite things that take a few hundred strides to gather any height. But even as you walk the wooden path, the ground beside it rises up sharply to act almost as a wall enclosing half the path. Looking farther out, there are little mounds and prominences everywhere, as well as depressions and gullies like the beds of forgotten rills.
You see a damselfly flit the air, and a dirt hole tended by lesser beetles digs into the path-wall farther down.
Still the crow struts on, and you follow, feeling increasingly absurd and bemused. The both of you reach a fork in the road. A path sharply left leading to an area lousy with fallen, crumbling trees and dead foilage. A path center, slightly rightward, which inclines upward, and sees the trees thin.
But the crow chooses (chooses, you repeat in disbelief) the rightmost path, deeper into the ambrosia woods.
You’ve almost eased off your guard, your mind relishing the chance to puzzle at the mystery of the talking crow instead of contending with and worrying about the gross danger you’re in.
But a sudden motion punishes that slack! You see in the corner of your vision (which is almost exactly behind you, with your wide compound eyes) a deeper shadow by the path-wall, darker than even the occluded blackness under the fallen logs — inappropriately dark. This compels you to turn and take it in — and as you give more thought to it, you remember its limp formlessness, as if it were cast by a puddle in the branches above. The image makes no sense.
And maybe it was just your imagining, because there’s nothing when you turn around. With your fovea regarding it, you can see now, at the edge of where the black puddle was, there is a thin crack in the hard dirt.
The bird stands strides ahead of you now, and you turn to dash after it. But the thing has stopped suddenly, so much that you almost step on it! You catch yourself, and, antennae writhing, a harsh growl on your spiracles, you see the bird has turned to look at the path-wall.
There’s a mantis slumped there, in a concave bit of wall you hadn’t seen. She’s covered in black robes, and in the darkness, it’s almost enough for you to miss the green hemolymph stains. But the odor gives it all away: coppery, putrid, almost smelling of pain. There’s wounds under her robes, nasty, deep wounds. But she’s awake, barely stirring as you arrive.
You meet her dark blue face, and her maxillae twitch.
Below, from her abdomen, through coughs, she speaks: “Hey… hey kid.”